Mario Caprio’s, “The Digital Turn in Architecture” explorers
different fields relating to architectural design and theory. “Morphogenesis
and Emergence” by Hensel, Menges & Weinstock explores and elaborates upon
our evolving technology and how it has allowed morphogenesis to ‘evolve’. The
development of technology now allows us to calculate structural behaviours and
other various elements of a building which was previously impossible and could
only be approximated with physical models. “All materials deform under stress,
and such deformations can and often must be carefully calculated…” The
properties of new materials are able to be tested in these structures, some
aiming to be self-organising systems others with unique structural integrity by
using techniques such as honeycombs. With digital modelling can now
“theoretically emulate the skills, adaptivity and alert manipulation of expert
artisan makers.”
Menges’ “Polymorphism” discusses the relation of natural
morphogenesis to architecture. “Extending the concept of material system by
embedding its material characteristics, geometric behaviour, manufacturing
constraints and assembly logics allow for deriving and elaborating a design
through the system’s intrinsic performative capacities.” This I found to be an
interesting statement, as Menges tells us how the new era of technology is
helping us change our perspective of design, allowing for more interesting and
complex geometries that may not have been previously possible. Polymorphism is
closely related to morphogenesis, sharing design techniques and technology such
as honeycomb structures, allowing for extreme curves whilst maintaining strong
structural integrity. “A design approach utilising such methods enables
architects to define specific material systems through the combined logics of
formation and materialisation.”
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